工业光魔：创造不可能（2010）

you know, getting crunched and shift.
有很多不满
It cause[s] concern for the people who were
对于习惯于制♥作♥传统效果的人
used to doing traditional effects.
这种转变令他们担心
You know, would their jobs become obsolete some day.
他们会想 将来有一天我会失业吗
When I started working in computer graphics training,
当我开始接受电脑绘图培训时
They referred to me is going to work for the dark side.
他们指责我说我在为邪恶势力效力
The model shop were threatened by this,
由于我们之间产生的分歧
by this whole division that was going up.
模型室受到了威胁
And I was one of the few people who made
我是最先几位从模型室
the first jumping to CG from the model shop.
转攻CG技术的人之一
Since then been many and we’ve all been
我们后来作为一个团体
most on the whole, been very successful.
取得了很大成功
But at first it was not considered
但最初这被认为是
to be loyal to the shop.
对模型室的不忠
I had an interesting experience where we had a shot
我有一段很有趣的经历
in the movie that was just really bad.
那次我们拍摄了一个很糟糕的镜头
It was optical composite.
那是一个光学复合镜头
And we re-did that comp with some frustration,
我们很失望 重做了那个复合镜头
and people don’t wanna do it, with digital, with photoshop,
大家很不情愿地使用了数码技术和图像软件
and it’s like night and day.
夜以继日地忙碌
So I show this to one of the old time optical guys
完成之后 我向一位制♥作♥光学镜头的同事展示
who’ve done with the first time,
那是他第一次参与数码制♥作♥
show him both versions,
我给他看了两个版本
and I said which one do you like,
我问他喜欢哪一个
’cause I wanna to bring him into the digital world.
因为我想把他引入数码世界
and he liked, he picked the old one.
但他却说喜欢旧的版本
And I thought what the heck are you seeing,
我想说 你到底看到了什么
what’s going on.
这是怎么回事
and I realize then there was problem here.
然后我意识到问题所在
You know there’s fear going on,
当时存在一种恐慌
denial is going on,
一种否定的情绪
but he ended up being our best digital compers
他克服了那种情绪之后
once he came over to it.
成为了数码合成中的佼佼者
and it’s all what he could do.
这也成了他的终身事业
Right around the same time,
几乎在同一时期
*** Forrest Gump,
《阿甘正传》
and Forrest Gump had a similar importance
对于电影产业的变革
in terms of changing the industry,
《阿甘正传》有着同等重要性
what Jurassic Park did in terms of big in your face visual effects,
《侏罗纪公园》中的视觉特技 近在咫尺
big characters, bringing fantasy in sci-fi to the foreground.
庞大的角色将科幻带入近景
Forrest Gump did in exactly the opposite
而《阿甘正传》却以相反及低调的方式
and understated way – invisible effects.
制♥作♥了令人觉察不到的特技
Doing things that you couldn’t do before,
这部电影做了前人做不到的事情
changing people’s performances
通过改变演员的腿部动作
by changing the way their legs move,
来改变他们的表演
changing the skies in pictures
通过改变画面中的天空
to create a different mood,
来渲染不同的情绪
all kinds of little things that
所有的这些细节
had you been able to photograph that way originally
看似可以用镜头捕捉到
you would’ve but you couldn’t,
但却无法实现
so you manipulated everything
于是它通过操控细节
to enhance the story-telling.
来加强故事的叙述
At one point in Forrest Gump,
《阿甘正传》中有一段情节
he’s playing ping-pong,
阿甘在打乒乓球
and he’s playing at this phenomenal speed,
速度相当惊人
Might ask how do
你也许会问
Tom Hanks know how to play ping-pong
汤姆·汉克斯怎么会打乒乓球
the answer of course is he doesn’t,
他当然不会
he just move the paddle,
他仅仅在挥拍而已
and somebody is putting the ball in.
而乒乓球是后期
And it’s just, it’s used Renderman.
利用Renderman制♥作♥而成的
So it’s simple little thing
这不过是雕虫小技
but Renderman was a starting point
但是Renderman却为电影制♥作♥
we’re going to movie,
开创了新的开端
the audience doesn’t know we’re care about it.
我们在乎的细节 观众却毫无察觉
And we reached that point where
进入这一阶段之后
it’s not about special effects any more,
重要的便不再是特效
it’s about telling the story.
而是故事情节
So suddenly visual effects has a place
很快地 视觉特效
in dramatic films and comedies,
在戏剧电影和喜剧电影
all types of things that it just
及其他形式的影视作品中
didn’t fit into before.
也占有一席之地
And at that point in time everybody tried to
这时候
figure out how to dust off those old scripts
大家都在尝试拍摄
they had that they didn’t know how to make before.
那些过去无法完成的电影剧本
As ILM approached 100 movies,
在工业光魔制♥作♥了近100部电影之际
they will be challenged to the next level of realism.
他们将挑战更高层次的现实主义
That was the beginning I was
那时我刚刚开始
kind of working with CG creatures.
与CG生物进行合作
Cause I remember when there’s a wall blew open
因为我记得当墙体轰然倒塌
and then a guy came through, here’s the rhino,
有人冲出来对我说 这是犀牛的位置
OK. Run away from the rhino.
往逃离犀牛的方向跑
and that was the beginning of kind of OK,
从那时起
imagine now that’s the rhino,
我开始想象 这里是犀牛
the one on the right is the elephant,
右边的是大象
Phil is the hippopotamus. OK,
河马在菲尔的位置
ok I got it. let’s do this.
明白了 实拍吧
***Run, it’s a *****
快跑 那是个
Basically it’s a fighter flight,
基本上那是一场追逐戏
most time you’re just running,
大部分时间都在奔跑
it’s not a creature that’s, you know, having a dialog,
那些生物不会对话
there’s nothing that’s talking to you.
没人和你交流
it’s basically chasing you,
它们只是单纯地追逐
or confronting you or running from you
或者与你对峙 或者逃离你
or you both in state of fear,
或者双方同时陷入恐惧
I was amazed by all the larger creatures
我被那些庞大生物的美
insanely beautiful,
深深吸引了
and I found out that
我意识到
they’ve taken some of the programs from jurassic park
其中的某些技术曾使用于《侏罗纪公园》
and apply them to elephants and rhinos.
而现在应用到了大象和犀牛身上
and they are working you through going you can’t go there,
工作人员会告诉你不能走这边
you have to look over there
你要往那边跑 然后他们又会说
and they’re going literally this area is no go,
这个区域不能通行
especially you’re thinking Can I run over there,
特别是当你在想 我能从那走过去么
no, why ,that’s a pit,
不能 为什么 因为那是个陷阱
ok cool..
好的 酷
“There’s a twister!There’s a twister!”
龙♥卷♥风♥ 有龙♥卷♥风♥
The tornado was sort of all to me just that be strikingly real,
龙♥卷♥风♥对我来说惊人地真实
compare with other stuff I’d seen.
跟其他我看过的东西相比
It was beautiful also to look at, it has this,
看上去也很漂亮 有这种
I’ve never seen that done before.
我从来没见过有人做成功过
And I don’t think it’s ever been even done since.
我认为也没有人做过
The swell, that sort of beautiful cylindrical design.
汹涌的样子 漂亮的圆柱形的设计
ILM was consistantly breaking new ground,
工业光魔不断地开辟新的世界
and I think that the visual effects industry requires that.
我认为这正是视觉特效行业需要的
Twisters, I remember,got green led
龙♥卷♥风♥ 我记得 需要有大型电子显示器
because of a special fact shot that ILM did
由于ILM的一个特别镜头
and we did a test and we send a screen
而且我们做个一个测试
everybody love the shot so much, and
每个人都很喜欢那个镜头
that’s when the movie
就是在哪个时候
got a green led that moment.
那个电影得到的LED
When we started working on Twister,
当我们开始着手制♥作♥龙♥卷♥风♥的时候
we were just dealing with really organic materials things
我们要处理非常有机的物质
like dust and debris and tornados and water.
比如灰尘 碎片 龙♥卷♥风♥ 水等等
And those things haven’t been solved in creating those elements
而它们在数字世界里
in the digital world, it’s extremely difficult.
从来没被成功解决过 所以特别的难
We had to develop our own particle system,
我们得开♥发♥我们自己的粒子系统
and a way of rendering particles that was realistic.
还有一套能很真实地渲染那些粒子的方法
In doing anything photoreal,
要把任何东西做成照片级真实
you need to look at the real world around you,
你得观察你身边的真实世界